Reading?
Reading?
Are you serious?
Why do we have to read?
I don’t like reading,
not in front of people I don’t know,
and I just met you all two weeks ago.
I think T.S. Eliot is a safe bet.
“The Hollow Men”, that’s a good piece.
It’s not mine, so I won’t feel bad
if they critique the hell out of it.
Because they will, they’ll have comments
if I read my unedited,
straight-from-the-heart poetry.
I can tell, this is a group
full of critique,
or maybe its criticism.
Destructive criticism,
not constructive.
This group looks ready
to bite my head off
at the first sign of weakness,
the first sign of a lack of feeling
or emotion in reading my poetry.
No, they won’t hear it this week.
I won’t let them.
I’m not going to read it.
But I’ll read “The Hollow Men”,
that doesn’t require much emotion,
because the dead have no feeling
and neither do I, when I read poetry at least.
And after something like that speech about
having to relate to the poem, capture the feeling,
I know I’m not good enough for reading.
But I’ll tell you, there’s emotion here, in this piece.
You want to hear emotion?
How about fear?
Anxiety?
An overwhelming sense of impending failure?
Of not being good enough?
Of not being at your level?
How about that?
Do you want me to show that?
Do you want me to stumble on the cracks
and fall flat on my face?
Do you want me to fall deeper into this hole
of insecurity, this lack of closure about being comfortable
in front of you,
when I know you’re just going to shred my poetry
because it’s first copy?
Is that what you want from me?!
..The answers fall at me in
blank stares.
Patient stares.
Patiently waiting
for me to read T.S. Eliot
and how hollow and dead the men are.
Why do I even like this piece?
I have to find an excuse, I suppose.
It has feeling, but at the same time it has no feeling.
And the imagery, that’s good too.
But lack of feeling.
That sounds fun.
I wish I couldn’t feel fear.
Then I’d read everything
and I wouldn’t care about you
ripping my art into billions of pieces.
But I care too much about it
to let you critique it.
It’s mine, and I like it how it is.
The fear eats me alive, and
I flee, afraid to feel failure.
So, for now, you’ll have to sit
through a semi-monotone
“The Hollow Men.”
… This is the way the world ends
This is the way the world ends
This is the way the world ends
Not with a bang but with a whisper.
Whew, glad that’s over.
I doubt it was as good as Marlon Brando,
but at least I read it.
And now they’re talking about Apocalypse Now
so I guess I didn’t need to know why I liked it.
But at least I had an answer.
One more answer than what I got before.
Some of them are leaving for sketch comedy,
four glued to the chairs,
waiting to share and for things to be shared.
I don’t know what I should share.
I don’t know if I should share.
The group is smaller.
Maybe it will be easier.
But nothing is jumping out at me.
“Hey, you said you had a lot of your poems posted.”
Thanks for putting me on the spot,
now I feel obligated to share something.
But nothing is good.
Nothing seems good enough to throw out at them,
no lightning in a bottle,
nothing that will punch them in the face and they’ll still enjoy it,
nothing that will blindside them with unexpected greatness.
And I’ll fall silent,
Listening to the guy to my right
reading his poems at four thousand miles per hour.
Sorry, buddy, but I can’t understand it.
Maybe it’s me, but it seems
you’re reading too fast.
I suppose everyone has their own speed,
but yours is not mine,
and mine is not yours,
and I just can’t hear correctly
what you’re saying.
Maybe I’ll share something,
maybe this one,
maybe that one,
maybe some other one.
But I’ll find one,
because now I’m obligated, put on the spot,
overhead light searing my skin,
hands trembling wild,
voice cracking randomly
stuttering, stumbling over words,
voice volume varying.
But I’ve locked that fear in this poem
so I’ll be O.K.,
in the end,
I hope.
But here it is.
Hope you like it.
#242 09-11-07